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Lousy Lovers: A studio visit with Amelia, Stevie, Lindsey and Mick

Exhibition Dates: July 10th - July 26th, 2026

Reception: Friday, July 10th, 7:00 - 10:00 pm



Amelia Biewald presents Lousy Lovers


 

Lousy Lovers featuring The Hand Of Lindsey, 2026, ink and watercolor on Japanese papers, resins, vines, wigs, 84 x 90 x 5 inches
Lousy Lovers featuring The Hand Of Lindsey, 2026, ink and watercolor on Japanese papers, resins, vines, wigs, 84 x 90 x 5 inches


Lousy Lovers is a tongue in cheek exploration of the Bermuda love triangle existing below the force of the band Fleetwood Mac in the 1970’s. Our heroine Stevie Nicks had  a plethora of famous musical lovers, but the infighting and button-pushing during the recording of Rumours released in the late 1970’s particularly sparks my creativity. Lindsey Buckingham and Stevie Nicks were on the ins and outs, and then Mick Fleetwood joined the party. Rumours, which became the twelfth best selling album of all time was fueled by insufferable heartache.



Release the Bat, 2026, ink and watercolor on Japanese papers, resins, acrylic, 60 x 52 x 24 inches
Release the Bat, 2026, ink and watercolor on Japanese papers, resins, acrylic, 60 x 52 x 24 inches

In my unique way of capturing visual, often mythical transformations in my works, Stevie spins, her layered dress fluttering and swirling as she hangs upside down as a bat from a tree limb.  I have always been obsessed with her clothes and boots and the witchy spinning. Lindsey rises sturdily from his favorite cowboy boots, his legs twisting into tree trunks, but then extends a gnarled hybrid hand. Mick, also becomes a sort of a wooden talisman, still drumming in the dark forest of their relationships.


Some of these works and ideas are still in progress and will continue to develop and transform. There are plenty of other lovers to invite to this rehearsal in the woods.



The Shagbark Fleetwood, 2026, resin clay, wood, steel, natural pigments and mosses, 50 x 24 x 24 inches
The Shagbark Fleetwood, 2026, resin clay, wood, steel, natural pigments and mosses, 50 x 24 x 24 inches


Artist Bio:

Amelia Biewald recreates intrigues, telling stories about the confluence of myth, history, science and scandal. She received a BFA with honors from the Rhode Island School of Design and Goldsmith’s College, University of London, and then pursued sculptural work at the Minneapolis College of Art and Design where she received her MFA. She attended the Skowhegan School of Painting and Sculpture in 2004 and has received many artist awards, residencies, and fellowships for her work including a Skowhegan Fellowship, a Bush Foundation Fellowship, and a Jerome Foundation Fellowship. She was awarded space by the Lower Manhattan Cultural Council and has spent time at Art Garda Residency in Sirmione, Italy. She is a recent recipient of a Puffin Foundation Grant for her artwork which fueled a solo exhibition in May of 2025 at Rosalux in Minneapolis, MN. She has participated twice in the Symposia! Program through the  Michael David & Co. and in the past year has also show in Monster at Art Cake in Brooklyn, NY, Muskeg, curated by Field Projects at Mother-in-laws in Germantown, NY and Eclectic Cream at Army Of Frogs. She has curated a new huge show Rip It Up And Start Again, for June 2026 at Army Of Frogs Studio.


Amelia Biewald works actively as a professional artist, educator and curator. Amelia is a founding member of Rosalux Gallery in Minneapolis, MN, WAAM in Woodstock, NY and the Equity Gallery in NYC. Amelia Biewald is the director of Army Of Frogs Studio in High Falls, NY and works there as chief curator.


See more of Amelia's work on her website:



Contact info for inquiries: ameliabiewald@yahoo.com



Rosalux Gallery hours are 12-4 PM on Saturdays and Sundays.


The gallery is located at 315 W 48th Street in Minneapolis. Rosalux is always free and open to the public.





 
 
 

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