Fundraiser Dates: July 31st, 2026 Event Time: Friday, July 31st, 6:00 - 10:00 pm Green will take place on Friday, July 31st, from 6-10 PM at Rosalux Gallery. It's SO fun! The drawings for raffled artworks begin promptly at 9 PM. Online ticket sales will be available July 20th through the 31st at 8:45 PM. We will also be live-streaming portions of the event at 6,7,8 and 9 PM on Instagram so you can watch and buy tickets from the comfort and safety of your home. Admission is

Exhibition Dates: July 10th - July 26th, 2026 Reception: Friday, July 10th, 7:00 - 10:00 pm Amelia Biewald presents Lousy Lovers Lousy Lovers featuring The Hand Of Lindsey, 2026, ink and watercolor on Japanese papers, resins, vines, wigs, 84 x 90 x 5 inches Lousy Lovers is a tongue in cheek exploration of the Bermuda love triangle existing below the force of the band Fleetwood Mac in the 1970’s. Our heroine Stevie Nicks had a plethora of famous musical lovers, but the infi

Exhibition Dates: June 6th - June 28th, 2026 Reception: June 13th, 6:00 - 9:00pm In this exhibition I continue to explore two areas of painting - abstracts and landscapes. My abstracts are studies of line, form, color, and gesture. They are a distant cousin to the architectural world of design I was part of for many years. The object is to give the viewer a respite from the pace and overload of our everyday world, a non-representative place of quiet and meditation. BEAST, wat

Exhibition Dates: August 7 – August 30, 2026 Reception: Friday, August 7th 7 – 10 PM What does it mean to carry a culture within you — its patterns, its language, its stars? Living Threads is an immersive installation centered on the story of a Palestinian American woman in Minnesota whose life is shaped by language, community, and the cosmos. Drawing from the blue arches and geometry of the Dome of the Rock, the space holds architecture, poetry, embroidery, and sign languag

Mary's Studio Amelia: I am very drawn to your use of color and how the admixes are both a little odd and seemingly natural at the same time. Can you talk a little about the ways you choose colors? Mary : I do love color! I don't plan a particular palette, just mostly work it out on the canvas. I discovered neon pink and orange paint a few years ago and they now show up in every painting. I also use Prussian Blue as a black substitute almost exclusively. Amelia : Do you ke

Exhibition Dates: May 2 - 31, 2026 Reception: Saturday, May 2nd 7-10 Franklin’s Final Desperate Attempt at Love 2025 30” x 24” acrylic on canvas What’s Your Favorite Color? New Work by Daniel Buettner What’s Your Favorite Color?, the May 2026 exhibition by Daniel Buettner, is a pleasurable nod to one of the most basic forms of human happiness: the experience of tints, shades, and tones. Continuing with his career engulfing micro-momentary comedy, Buettner puts to canva

Exhibition Dates: April 4-26, 2026 Reception: Sat., April 11th, 7:00 - 10:00 pm Open House and Benefit Print Sale : Sat., April 25th, 1:00 - 4:00 pm Giclee prints of artwork in the exhibit are available at the Reception and Open House. 50% of proceeds donated to MPLS Response & Recovery for rent aid. Primordial 11, archival pigment print, 26" x 20", 2026 | © Laura Stack Laura Stack: Unworldly Bodies Rosalux Gallery presents Unworldly Bodies , an exhibition by Laura Stac

Exhibition Dates: March 7-29, 2026 Reception: Saturday, March 7, 7-10pm Companions, 2025, acrylic on canvas, 28 x 36 inches Mystery Spot: Paintings by Mary Gibney The name of the show is Mystery Spot, which brings to mind the gravity defying zones of kitschy tourist attractions but also the veil between worlds, possinble between life and death or whatever comes after consciousness. There are bar scenes where the bartender is keeping her eye on some untrustworthy patrons,

Exhibition Dates: February 7th - March 1st, 2026 Reception: Saturday, February 7th, 7 pm - 9 pm Avigail Manneberg, Untitled , 2025, oil on paper 22x30 inches Family Visit New Work by Avigail Manneberg My work processes personal and political events, as well as the destruction of home, of households, and homelands. The past few years have deeply affected me, my family, and my community. These paintings reflect our shifting states of being—floating between fear and hope, be